Francesca Albrezzi (email@example.com) is a research assistant at the Getty Research Institute and a graduate PhD student in the World Arts and Cultures program at the University of California, Los Angeles (UCLA).
Murtha Baca (firstname.lastname@example.org) is Head of Digital Art History at the Getty Research Institute.
Anna Bentkowska-Kafel (email@example.com) is an independent art historian and Lecturer in Digital Art History in the Department of Digital Humanities, King’s College London.
Peter Bonfitto (firstname.lastname@example.org) is Senior Project Management Coordinator in the Scholars Program at the Getty Research Institute.
Hans Brandhorst (email@example.com ) is editor of the Iconclass system and of the Arkyves Web catalogue.
Delphine Burlot (firstname.lastname@example.org) is a post-doctoral researcher at the Institute national d’histoire de l’art (INHA) in Paris.
Francesca Cappelletti (email@example.com) is a professor of art history in the Humanities Department of the University of Ferrara, Italy.
Stephen Davison (firstname.lastname@example.org) is Head of the Digital Library Program at the University of California, Los Angeles.
Martine Denoyelle (email@example.com) is Conservateur en chef du Patrimoine and Conseiller scientifique at the Institut national d'Histoire de l'Art.
Elli Doulkaridou (firstname.lastname@example.org) is a PhD candidate in Art History at the University of Paris 1 Panthéon-Sorbonne and research assistant at the Institut National d'Histoire de l'Art.
Johanna Drucker (email@example.com) is the Bernard and Martin Breslauer Professor of Bibliography in the Department of Information Studies and a founder of the Digital Humanities Program at UCLA.
Susan Edwards (firstname.lastname@example.org) is Senior Writer/Editor with the Getty Web Group.
Helen Glanville (email@example.com ) is Research Associate at the Hamilton Kerr Institute, part of both the University of Cambridge and the Fitzwilliam Museum.
Anne Helmreich (firstname.lastname@example.org) is Senior Program Officer at the Getty Foundation.
Christian Huemer (email@example.com) is Manager of the Project for the Study of Collecting and Provenance at the Getty Research Institute.
Moon Kim (firstname.lastname@example.org) is a graduate student in the Department of Information Studies at UCLA and a graduate intern in the Digital Art History program at the Getty Research Institute.
Max Marmor (email@example.com) is President of the Samuel H. Kress Foundation.
Lisa McAulay firstname.lastname@example.org) is Librarian for Digital Collection Development for the UCLA Digital Library Program.
Etienne Posthumus (email@example.com ) is a software engineer working on the Iconclass system and Arkyves digital catalogue.
Emily Pugh (firstname.lastname@example.org) designs and develops digital scholarly projects at the Center for Advanced Study in the Visual Arts (CASVA) as the Smith Postdoctoral Research Associate and is the web developer for the online, peer-reviewed journal Nineteenth-Century Art Worldwide.
Nuria Rodríguez Ortega (email@example.com) is Chair of the Department of Art History at the University of Málaga, Spain.
Christine Sundt (firstname.lastname@example.org) is the Editor of Visual Resources: An International Journal of Documentation.
Maureen Whalen (email@example.com) is Associate General Counsel of the J. Paul Getty Trust.
Diane Zorich (firstname.lastname@example.org) is a consultant who works on digital strategy issues in the cultural heritage community.